Magdalena and Ma😀r;😉i😒`a are two t😴😌😊win sister😇😊😔s🤢🤔 who were separated at birth !=🤮🤣a_😂🤥nd kn🤭;😉😛ow no😉😃thin🤭😀g o^f the 😍other’
😗s existe🤐),n+ce. Mar😌😐ia r😚)un😄😀s awa😛
y fr🤢)😂om the boa😬😄😪😅rdi/🤒*ng school in whi🤔ch s🤐 he was b.😒 rought up and finds work as😁🙄🤥% 🤕a ca*?😪😙bare🤩t performer in the caf🤥]`$é#?s of😗😄😜😜 Marseilles
😅 . Magd🤮😅😃😆alena lives wi🤑t🤮🙃🤗\😊h h🤨😒e😌😗😋r ?/😇a]🤣dop😅te😘$d paren%_)😌😒t😛]🤩s a@nd works 😙😊_in a😬🤣😌🙄😍n ar🙂t gallery. 😀🤤(,Th*]😁🤣@e two si`]sters a😶😴r😏_e j@.oi_:ne😃 d by an invis )i:-ble bond😉🤥🤮 wh=ich draws t😆😘😐hem🤮🤨 towa$😗😊rds the s/🙂😬ame tragic conclusion.　　Director Werner Schroete😅?r has\ acquired a rep^!😀😝utat^😏🤔io🤢🙃n 🤕as an expe_😒riment😂🥰=a😷li😙😴s 😬t filmmak🤔er, hai[😍😉😚🤤led ;😄b y some as an 😗;_underrat;😘+ed g; en🤩🤪i😆🤐😂us, revil😆,🤩🤥ed 😗`%by other😚#s for being a peddler of self-indulge🤪
🤕😪nt k+😙😇its🤗%.:ch.=[ D+😝😔😅eu😗x 🤥^😔is 😉a😶!😙🤫rguably😐 😊🤩 Schroet😷😴🤒er’s🤣## most amb😀it😆[🤮🤪ious, un 😍😒se😷-😌
=ttling 😔😙an🤩🤫😙?d r😚]😑epulsive w😬🙂🙂ork to date. T😙_he direc/🤭t😶😚or ce😷rtai😉/nl😆🙂,😔#y wastes n🥰#*o 🤑🤫time in alienati 😙^ng hi😍🤤s a😌🤑🤣udience; from the fir^@;s🙃🤭😬😍😙t🤨. ten=😀 mi.😇nu😜`😆tes o😪😒🙂f the film it ?🤔🤔is clear this 😜😘is not going 😆🤤to*😃😃@ 😴😂be an=😷🤗😑 😊 easy ride. The narrative cuts😂 haphazar🤒dly betwee😶n seemingly u🤭😷😐_🤩nconnected even:😑ts, alte😙rnating b🤒:😏🤥😃et😊_#🤐w😍😇een reali🤤😘sm and🤭🤐 st)y😴😆😑lis?😐😗[ed  fa😶😴n😊. 😬😏tasy😆^ dr🤨🙄🤔 eam@@ sequenc es, per😀(iodical😴😃ly s hocking t😇🤑^😔h😙🤥e s -🤗%pectator 😃@with g@😘ra🤐😘
phic im/😴a!🤫ges of lesbian sex😔😘 and a woman being slow🤗🙂)ly disem😷b😒🤒😔owelled. Ha😶😁🥰🤔ving several@😔🤐 actors playi😛ng multiple parts only adds 😐😒🤫to the🤔😷 sense of artifice and u+tter conf 🙄usion, which is a pi😍$@t😶😛y as there is m😄😅anifestly a /lot😍 of 🤒great😆😴🤥😄 acting 😊
talent on sh😝🤫😔😘ow – not 😅@l😘😐east `
😌🤑😑of wh`😬🤢ich is Isabelle Huppert. 🤕:😪 ^The🤢! fil🤤m’s s😴😬😌hee😙😇🥰r rel🤑!🤪entless g🙄😜😬🤔r😶$\ot🤢,esqueness and s😋?elf-i😑😂nd🤮_ulgence is so extreme, so un-😏br🤕🤨i.😘😆😇dled, so?] 🤣st=🤥omach😝🤤-ch!😆)😏urni@
😑ngly provoc😬🤨😍?ative, th_😪at🥰😇 it is😒*😊🤮: har😗😒d to -%t😪😁 😄ake a😁`😴ny 😃of it seriously.