A l🤭😗#oving film tr
😁i/🤣😜but😴😘-%🤮e to Russian fi😂(😒`lm[.m😀😑🙂 .aker La[risa Sh[?epit^_
k🙂😇😅o😋😅😜, w🥰😶ho 😜😑,$died😘 tra🤮gically😏😔😬( in a car acci. dent in 1979 at 🤣the age😶!%🤕 of 40. T%😗🤗his 😅😐😁documen😇😐tar: 😶y_ by her husband)🤒, 🤩😇😏😇El/\em_ Klimov, incl😀😗🤒🤔😌udes e😑🥰😂xcerpts🤨😉😒😉😆 :+f😴🤥😝rom al🤮l of )_🤢🤤S😌😒🤨😪hepit😷😝ko's films, and h🤕😑🤐#er own😐 voice ^🤗i🙄😁😂 s h🙂+😃eard ta😁*lking a_
😛😝bout her life and 🤔(art.　　Ele😏😂 /m Kli😀 mov's grief-stricke😔😪😅n elegy La😄risa😝]
ex+🤐am😅i🤗😅nes the😄
😗🤐 life of his late :🤣 wife—the film di😁
😅rector 😁 😄😏🤐Larisa She😂=😝pitko—through a ser🙄ies 😅😄of d😆;irect-ad🥰dress inter(😏 vie🤮ws😌🙂 a😂nd p_😚-hotomontages🤫😛;🤪, set against 😒[😗a mournful visua)😊l-musical back😃😄[drop.🤢@🙄 Typically, Klimov 🤥 f😛( 🤮ilms his s🙂ubjects (
😋@😗*which incl😊ude ^ 🥰😇 _hi😏😀🤨mse😆!lf an😑😄😃🤔[d😆 sev,eral😐^ o.🤤😒🤔f S😛🤤.🤣hepitko's co🤣🤫🤔🤕$llaborators) with😗%🤩 in a stark,😪😇😙 snow-co😬🤔😄ver😅😐😷;ed forest, its🤩😔🤤🤪 🥰😀tangled web of trees stan:*]🤗d😃in🥰😆 g `)🤮in as met 😴aphorica😝😷l r🥰😷 epresentati😪;on of a per*😏=haps😷😙 inexpressible suffer🤗\$ing🙄😇😴, the result o😛😆😙f Sh😶😀epitko's p(😚😒 🥰rem🤗😄/;at😁🤩.ure d?🤨eath whil🤒🤢😬😶e filmin😘😒😪g her a#=daptati😄;😘on of ` Valentin🤐🤢 Ra🤩😍sputin's novella Fare
w)$ell to Ma😉+:t🙄🙂yora🤐😃. Inter🤩)we*😘😔,aving😁😒 hom😁,😉e m🤨o@🤥 🤒v!🤗ie f😇😆oo🤒😇🤨t😷🤒😪😐ag?🙃#!e😗🤭$ 🙂🤔🤔with sequ🤒en🤒\ces from 😇🤥*Shepi🤣[😙%😌tko's wor🤗🤗@😛🤢k (May😒😐😜a Bulgakova's pensi(v😶😆 e?_ pl 😇=ane crash reminiscence🤥 = f $😪🥰rom Wi😌@😗_n🤐😚😆🤢gs😆😂 takes on 😆🤒#🤢s-😅😚😍everal😆🤒 new layers o🤔😂(😝🤩f resonance in this cont🤤ext🤗🤨😴)* ?😁:, Larisa😙🤗's 🤗🤑🤒most powerf😙-🤨ul passage is#🤒🤕 its @🤢:🙄f😍i🤭🤩🤢rst ac😬😔compa:=🤪nie😃🤤d by the grandiose fi=nal +;music😚😄-😉 c;;😬ue 🤤😛]f😌.rom Shepi_t 🤩#ko'`😐😗s 😊🤩)=You _🙃🤣😜a= 😉 nd@😅 I,😶🙃(. K😀limov dissolves b🤩etwe@😀🙄en 🤣+_🤑a series of😋🤢😍@🤒 pers🤨😑😉onal🤒🤨 %` photogra🤮phs#😔` that e+🤫😶ncompa🥰\:🤫ss😉😀 L:🤣🤨😋arisa's +😁🤣entire life, 🤥from b😗@😏irt😝h 😶🤩$t@o [🤥🤢🙃death. Thi🤒🙄s b🤣😂rief 😘s;)😔ymp=😷🙂🤐hony🤨😁[😀 of sorrow an😘🤔😋*tic🤪ipa[tes the catha🤐rtic r😘🤥ev😷😋🤔🤢e😁😏:rse- 😷😊😏mo😝😷\ti😘🙃o😬🙃 )n 😛😷/clima😇;x of Kli🙄🤥🤤mov's🤒😇😙 Come and See, t😊\houg:?h by pla🤤😝cing the🤑? scene first wit`
hin L%=🤮😷a🙄🤢risa's chronolog🙂🤮-😘y, Klimov seems to be😐😛🤪😉 [😉workin-😐🤨🤢g a😉?😴gainst catharsis.🤣🙂 The pain is cl😪😬🙂😊early fresh, the wound 😋%😴😃still :😍😐festering,🤑🤕 and Klim ov w😪😙🤨a🤑 🤭🤣nts—above a🤮%😋ll—to capture 😜😄🙃😜how ^deep misery's knife ^has cut.